The second Mrs. Gioconda / by E.L. Konigsburg.
Por: Konigsburg, E. L.
Tipo de material: LibroEditor: New York : Simon & Schuster, 2005, c1975Edición: 1st Simon & Schuster ed.Descripción: 138 p. : ill. ; 21 cm.ISBN: 9781416903420 (pbk.); 1416903429 (pbk.); 9781415605523 (Follett bdg.); 1415605521 (Follett bdg.).Tema(s): Leonardo, da Vinci, 1452-1519 -- Juvenile fiction | Leonardo, da Vinci, 1452-1519. Mona Lisa -- Juvenile fiction | Salai, Andrea, ca. 1480-1524 -- Juvenile fiction | Milan (Italy) -- History -- To 1535 -- Juvenile fiction | Beatrice, consort of Lodovico Sforza il Moro, Duke of Milan, 1475-1497 -- Juvenile fiction | Leonardo, da Vinci, 1452-1519 -- Fiction | Leonardo, da Vinci, 1452-1519. Mona Lisa -- Fiction | Salai, Andrea, ca. 1480-1524 -- Fiction | Milan (Italy) -- History -- Fiction | Beatrice, consort of Lodovico Sforza il Moro, Duke of Milan, 1475-1497 -- Fiction | Historical fiction | Leonardo, da Vinci, 1452-1519 -- Fiction | Leonardo, da Vinci, 1452-1519. Mona Lisa -- Fiction | Salai, Andrea, ca. 1480-1524 -- Fiction | Milan (Italy) -- History -- Fiction | Beatrice, consort of Lodovico Sforza il Moro, Duke of Milan, 1475-1497 -- Fiction | Historical fictionGénero/Forma: Historical fiction.Clasificación CDD: [Fic] Resumen: Examines the reasons why Leonardo da Vinci, the greatest artist of his time, dedicated three years to a painting of the second wife of an unimportant merchant when the nobles of Europe were asking him to paint their portraits, revealing da Vinci's hidden motives for spending so much time on the painting.Tipo de ítem | Ubicación actual | Colección | Signatura | Estado | Fecha de vencimiento | Código de barras |
---|---|---|---|---|---|---|
Libros | Bureche School | Colección General | GEN [Fic] KON | Disponible | T 2822 |
Examines the reasons why Leonardo da Vinci, the greatest artist of his time, dedicated three years to a painting of the second wife of an unimportant merchant when the nobles of Europe were asking him to paint their portraits, revealing da Vinci's hidden motives for spending so much time on the painting.
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